Anastasia, an 18-year-old ballet dancer at the Opéra Garnier, becomes the obsession of a disfigured man living in the opera's underground labyrinth.

Set in the shrine of French dance, the Garnier Opera house, L'Opera follows three characters whose dreams clash with reality, whose ambitions collide with expectations, and whose purity faces corruption.

"A few years ago, I was raped by a boy I really liked. One day, he wrote me a letter to take responsibility for his actions. This lm is our open letter to rape culture." (Morgane Ambre)

A parody of television shows and streaming platforms.

Jean Eustache (1938-81) was clearly obsessed with remakes. Not only did he remake his 1968 documentary about his home town, LA ROSIÈRE DE PESSAC, in 1979; he also remade his 1977 documentary UNE SALE HISTOIRE twice—first as a fiction film, and then, less literally, as a documentary about Bosch’s “The Garden of Earthy Delights” two years later. 　　Let me explain. The first version of UNE SALE HISTOIRE, designed to be shown second, and shot in 16mm, features Jean-Noël Picq recounting a supposedly real-life “dirty” story to a group of people, mainly women (although also including Eustache himself, visible in the foreground of a couple of shots)—a tale about peering for hours through a hole in the wall of a café into the ladies room in order to watch the snatches of women seated on the toilet. (He calls the women’s snatches their “holes,” and the word trou is repeated incessantly throughout his monologue.) The second version, shot in 35mm and designed to be shown first, adds a short prologue with critic Jean Douchet as a film director (an apparent stand-in for Eustache) asking Michael Lonsdale to tell the same story, this time to a different group of people (again mainly women, but not including Eustache)—which he does, using virtually the same words, while the women listeners make precisely the same comments. (The only previous time I saw this film, in Paris soon after it was made, these separate versions were shown respectively in 35mm and 16mm. In the Eustache retrospective currently touring in the U.S., they’re both shown on 35mm, which obscures some of the visual differences.) 　　As for HIERONYMOUS BOSCH’S “THE GARDEN OF EARTHLY DELIGHTS”, this shows Picq again, in a different living room, describing and discussing Bosch’s famous triptych (see photo below), mainly the middle panel, to a group of young people, again mainly women, who again add a few comments of their own. The main emphasis here is on various body orifices. 　　An obsessive-compulsive filmmaker and clearly a tormented one who wound up dying by his own hand, Eustache was clearly experimenting with his variations as well as goading viewers into examining their own reactions to them. The monologue in both versions of UNE SALE HISTOIRE evokes many of the interminable monologues of Jean-Pierre Léaud in THE MOTHER AND THE WHORE (1973), all of which were reportedly real-life monologues that Eustache delivered to friends or lovers and then transcribed shortly afterwards.

Librado, an unemployed man, lives in a crowded small house with numerous children and relatives, is beaten for stealing a car antenna. His godmother and her children try to settle in his place. She then is arrested at a supermarket for stealing, however, she offers herself and volunteers a friend of hers for sex to the policemen so she can be released. She is a maid of an employee who acts subservient to his boss, a mid-level government employee at once servile who delivers speeches on sexuality in educational texts and then discusses the matter with his brother, a corrupt inspector.

Kittu / Krishna is a cab driver who saves his money with the cab owner. When the owner refuses to return his money back, Kittu kidnaps owner’s daughter Nandu. Nandu who is fed up with her father’s unilateral decision about her marriage is happy with the kidnapping. They fall in love with each other in the process. When they were about to accept the ransom money, she gets kidnapped by another kidnapper. The rest of the story is all about who kidnapped her and the kidnapper’s connection with Kittu

The invincible bandit faces his daughter, courageous and honest, who wants to end his criminal activities. With a young journalist, her fiancé, she discovers his hideout.

One day in 1986, François Mitterrand forgets his black felt (his initials) in a Lyons restaurant. Daniel Mercier, a young executive who has just been reprimanded by his superior, who judges that the computerization of its business plan is stupid, steals it to clear his head. It was then that his life is turned upside down.